![]() ![]() Purists want the original 808 because of some fairly esoteric microchip differences. There are so many pedals designed to emulate it, its not even funny. So what if you dont have the 600 bucks for an 808? Dont even worry about it. ![]() Just remember that turning that cheat knob too high also cheats you of the natural tonal characteristics of your guitar. I use a vintage 808, which has some properties that I like, but it is by no means the holy grail of tone. He was loud, and the way it hit the tape (and your ear) made that sound. Again Stevie Ray used so much less distortion than you can possibly imagine. ![]() Setting gain staging will make sure that when you kick the pedal on, your guitar signal will get appropriately louder. Remember this kicking on distortion should make your guitar louder, not quieter. The overdrive should be thought of as the cheat knob. Thats by definition, the overdrive part of it. The volume knob of an 808 is the most important. Its a concept known as gain staging - it has to do with the way that the volume of each part of your signal chain interacts with the next. I hear people all the time (I even remember hearing myself) who just dime the drive knob and think the volume is a master knob for it. He did when he was going for that Jimi sound, but listen to most any early SRV tune and you wont hear as much break-up as you might think. Heres the misconception he didnt really use that much distortion at all. Stevie Ray Vaughan used an Ibanez Tube Screamer (TS-808), which in the 1980s was regarded as kind of a cheap pedal. You cant turn a ∖5 Deluxe Reverb to ∘ in your bedroom without making a lot of people miserable. A distortion pedal is used to make that break up sound happen at lower volumes, which is a reasonable expectation. Vintage tube amps have a threshold where they break up past a certain volume. If you like heavy metal, youll probably disagree with everything I have to say.ĭistortion pedals One thing to keep in mind with distortion I should say overdrive pedals, so as to distinguish them from fuzz pedals, which is more of an effect unto itself - is that theyre really made to simulate overdriving an amp naturally. Oh, and it should be noted throughout that this all applies to my take on tone. There are some misconceptions that seem to constantly perpetuate, and I want to try and bust one of them up right now. Its has a tendency to be jaded, and I love to see that youre getting happiness and fulfillment out of it and not frustration. I read through some of the posts in this part of the forum, and I cant get over how much of a positive spin youve put on the guitar community. Its as much of an obsession for me as it is for some of you, and I want to share a little of what Ive learned over the past few years. I thought it might be fun to post a little something regarding gear, specifically that endless hunt for our guitar tone. ![]() e posição 4 na chave da strato, certeza! hahaĪqui parece ser um suposto post do proprio!!! Regula ai a pedaleira que rola um timbre similar. minha pedaleira tem varios amps fenders como simulação, só num sei esse drive tipo TS q vc falo, mais eu acho aqui alguma coisa do tipo. Brincadeira!! Cara não conheço sua pedaleira! Não posso ajudar!! Alguem aparece ae pra te dar uma se sua sua pedaleira tiver simulação coloca um fender ae e um drive tipo TS q fica bacana! mais a grana num permite nada huashuahsuuhsuĪcabei d compra a pedaleira e a guitarra, entaum eu gostaria q vcs me dessem uma ideia d como chegar nesse timbre com os equips q eu tenho no momento msm.Įu ate queria. Não sei como chegar nesse timbre! -) Será que não rola um TS ali não hein?Ĭara, é isso, Stratocaster, TS, e valvulado.Įu ate queria. OBS: Eu só quero saber q efeitos ele usa e se possível como "montar" um som parecido na minha pedaleira.Īhh. Bom, antes q alguem pergunte, eu usei a busca e naum consegui achar nada q me ajudasse, entaum por favor respondam.Įu queria saber o que eu posso fazer pra ter esse timbre. ![]()
0 Comments
Leave a Reply. |